A cluster is defined as a geographic concentration(a city/town/few adjacent villages and their adjoining areas)of units producing near similar products and facing common opportunities and threats.An artisan cluster is defined as geographically concentrated (mostly in villages/townships)household units producing handicraft/handloom products.In a typical cluster, such producers often belong to a traditional community, producing the long-established products for generations. Indeed, many artisan clusters are centuries old Artisan.
About Tools kits For Wood Cluster:-
Tools kits For Wood Cluster falls under Nagaland State in Zunheboto district.The Tools kits For Wood cluster is able to form 500 plus Artisans & 25 SHGs supporting the strong work force.The mobilisation gains momentum day by day.
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Textile (Embroidery and Handloom):-
The beautiful embroidery of Nagaland portrays the rich artistic caliber of the local craftsmen of the north eastern state of India. The local indigenous population of Nagaland design unique patterns on their shawls, clothes and other decorative items made up of cloth which reflects their cultural heritage.
The splendid embroidery of the Angami Naga shawls of Nagaland has an internationally acclaimed status. Most of the tourists who visit the north eastern state prefer to buy the beautiful shawls as relic of the rich artistic creativity of the native population of Nagaland. Designed with colorful threads or wools, theAngami Naga shawls reflect the old glory and grandeur of the state of Nagaland.
The main flat stitches with their traditional names are:Taipchi: Running stitch worked on the right side of the fabric. It is occasionally done within parallel rows to fill petals and leaves in a motif, called ghaspatti. Sometimes taipchi is used to make the bel buti all over the fabric. This is the simplest chikan stitch and often serves as a basis for further embellishment. It resembles jamdani and is considered the cheapest and the quickest stitch.Pechni: Taipchi is sometime used as a base for working other variations and pechni is one of them. Here the taipchi is covered by entwining the thread over it in a regular manner to provide the effect of something like a lever spring and is always done on the right side on the cloth.Pashni: Taipchi is worked to outline a motif and then covered with minute vertical satin stitches over about two threads and is used for fine finish on the inside of badla.
Bakhia: It is the most common stitch and is often referred to as shadow work. It is of two types:
Khatao, khatava or katava is cutwork or appliqué - more a technique than a stitch.Gitti: A combination of buttonhole and long satin stitch usually used to make a wheel-like motif.Jangira: Chain stitch usually used as outlines in combination with a line of pechni or thick taipchi.The bolder or knottier stitches include the following:Murri: A very minute satin stitch in which a knot is formed over already outlined taipchi stitches.Phanda: It is a smaller shortened form of murri. The knots are spherical and very small, not pear shaped as in murri. This is a difficult stitch and requires very good craftsmanship.
Jaalis: The jaalis or trellises that are created in chikankari are a unique specialty of this craft. The holes are made by manipulation of the needle without cutting or drawing of thread. The threads of the fabric are teased apart to make neat regular holes or jaalis. In other centres where jaalis are done, the threads have to be drawn out. In chikankari, this is not the case. Names of jaali techniques suggest the place where they originated from Madrasi jaali or Bengali jaali or possibly the place of demand for that particular jaali. The basic manner in which jaalis are created is by pushing aside wrap and weft threads in a fashion that minute openings are made in the cloth. Shape of openings and the stitches used distinguish one jaali from another.
Raw materials:-
The fabric is worked upon with a long needle,threads,tikris and beads.Multi sized frames are used, usually about 1.5 feet high,to secure the cloth on which the design is sketched with a stencil. One hand secures the thread under the cloth to the needle while the other hand moves the needle on top of the cloth with ease.
Process:-
The production process of a chikan garment, assuming it is a kurta, goes through several processes. In each process a different person is involved. The final responsibility is, however, that of the person ordering the manufacture, who is also usually the seller. Chikan work involves several stages. The fabric is cut by the tailor into the required garment shape, after which the basic pre-embroidery stitching is done so that the correct shape is available to the block-printer to plan the placement of the design. The design is printed on the semi-stitched garment with fugitive colors, and the embroidery of the garment is then begun. After completion, the article is checked carefully since most defects can be detected at first glance. However, the finer flaws surface only after washing. The washing is done in a bhatti, after which the garment is then starched and ironed. The whole cycle can take from one to six months. Originally, chikan embroidery was done with white thread on soft, white cotton fabric like muslin or cambric. It was sometimes done on net to produce a kind of lace. Today chikan work is not only done with colored threads but on all kinds of fabrics like silk, crepe, organdie chiffon, and tussar.
Techniques:-
There is a discipline and method in the application of the stitches. The darn stitch is worked on rough cotton fabric to fill angular designs and to cover the surface of the fabric, while satin stitching is done exclusively on delicate fabrics like silk, muslin, or linen. In chikan some stitches are worked from the wrong side of the fabric, while others are worked from the right side. It is however unique in its discipline in as much as stitches designated for a particular purpose are used only for that purpose they are not replaced by other stiches. For example, the chain stitch (zanjeera) will only be used for the final outline of a leaf, petal, or stem.Different specialists work with different types of stitches. For example, open work or jaali is not done by embroiderers who do the filling work, each worker completes his/her bit and the fabric is then sent to the next embroiderer. The wages for each job are fixed separately.
How to reach:-
Tuensang is the district headquarters of Tuensang district, located about 269 km from Kohima via Wokha and Mokokchung and 235 km via Zunheboto. Buses are plying regularly between Kohima and Tuensang.